Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull

I know you’re judging me.

But I can explain why this is in my blu-ray collection.  It’s part of the Indiana Jones set which was cheaper to buy than just the trilogy and I don’t think I’ve even played the disc.  It was on television when we were travelling and I put it on in the background and I didn’t enjoy it!!

Indiana Jones and the Kingdom of the Crystal Skull is not a good film, it’s not a bad film because of the fridge scene though the CGI gophers do not help.  It’s not even a bad film because of the aliens, though again they do no favours to the film either.

The film just misfires all over the place and there are too many characters who just randomly do stuff.  The film suffers from death by a million nitpicks, the skull has conflicting powers, why are the dudes living in the walls of the temple just waiting for other dudes to come along, the car stunts and of course the infamous vine swinging sequence that even if it were plausible (vines don’t work like that, a fact I read in the Indiana Jones official fan club newsletter when I was like ten) but anyone who has ever seen Ninja Warrior knows that there is no chance he’s going to hang on like that.

The film never feels like anyone has poured their heart into it and it all looks so fake and cheap.  I know it wasn’t cheap but I think when you see it in high definition the mind starts to see stuff that breaks the illusion (actually some of the James Bond films suffer badly in HD).

So there you have it, it would probably be redundant to just get rid of the disc when the case is still there and you never know I might want to do a complete run through… some day.   I would not buy this in 4k on its own.

This is part of a series of illustrations drawn from my blu-ray collection and drawn in ink with a nib pen.

 

I have been, and always shall be, your friend. A Star Trek II The Wrath of Khan illustration

I have been, and always shall be, your friend. A Star Trek II The Wrath of Khan illustration

I have been, and always shall be, your friend.

I have been fortunate to be presented with some really awesome Star Trek commission requests and invariably whenever there’s a bunch of them this scene always comes up.  It’s possibly the finest scene in all of Star Trek, a brutally poignant exchange between two friends who have been through it all together.  It’s actually not an easy scene to draw in my style as they are facing each other and someone has their back to the camera.

I’m going to write about the full process of drawing this one in the coming days, so if you’re interested in that kind of stuff keep an eye out.

Also, I’m now on Patreon so if you enjoy these drawings and want to contribute to the paint and paper fund head over there for some exclusive stuff.  

Set of three sketch cards – Lion-O, Jack Burton and False Maria

One of the awesome benefits of offering up commission requests is that you get interesting mixes of characters to draw that you probably wouldn’t have thought of yourself.

These are a great example, I’m not sure I’ve ever drawn the False Maria robot from Metropolis before and I think once you draw a design you form a greater appreciation for it.  False Maria falls into this category, having drawn C3PO several times now I can really see the lineage as well as hints of Robocop.  It’s a stunning design.

Anything from the 80s cartoons is fun to draw and again I try and imbue them with a sense of my own style, no bulging muscles on Lion-O, I really enjoyed drawing that hair.  Thundercats wasn’t a cartoon I grew up with but I understand the attachment completely.

Back to semi-familiar territory I really wanted to draw cranky ol’ Jack Burton from Big Trouble in Little China, not in his traditional singlet but his whole, “have you paid your dues, Jack?  Yes, sir, the cheque is in the mail.” Jack Burton.

You can order your own sketch cards over on Etsy and if you like my stuff think about subscribing on Patreon!

Lifecycle of a sketch card commission

Sketch cards are always a fun project to work on, they’re nice little accessible pieces that are easy for people to put up on their desks at work or give away to friends in cards etc.  I like them because there’s a challenge to get what you want in a very small space and often you have to just focus on the character up front and centre.

Mark commissioned the following sets through Etsy and it was quite a bit of fun because Mark has ordered from me before and has some requests.  First of all, they were proper sets of three, with two main characters plus a third object that would go between them to be balanced.  I like this presentation thinking because when you frame them they come up really neatly.  Not that random cards don’t look good together, the Marvel ones I did aren’t connected at all yet look awesome laid out together.

The second directive I was given was that the Beauty and the Beast cards were to be based on the cartoon and not the live action remake.  Cartoons always present a little exercise in overcoming the original illustrator’s style of drawing.  I did offer in this case to draw in Disney style as that can sometimes be a fun challenge in itself but I was graciously declined on the offer which, to be honest, is the best.  You want something unique.

So here are the three main phases of the work.

Sketch card pencils

Sketch card pencils

The pencils are the rough guide for me, though with sketch cards I admit the end product does often reflect the pencils a lot closer than one of my bigger pieces.  There’s just not enough space to allow myself to go off an inking tangent so I try and keep the pencils pretty tight.  Bill and Ted were pretty straightforward once I worked out what pose I was going to put them in.  They’re probably in a narrow pose for their usual arm lengths so I just adapted the angle slightly.  The phone box looks more interesting from the side when there’s no one in it so I went with that, knowing I’d be adding the electrical elements later.

Bill and Ted were pretty straightforward once I worked out what pose I was going to put them in.  They’re probably in a narrow pose for their usual arm lengths so I just adapted the angle slightly.  The phone box looks more interesting from the side when there’s no one in it so I went with that, knowing I’d be adding the electrical elements later.

Beauty and the Beast I’m not so familiar with, if I’m being completely open I don’t think I’ve actually ever watched the film, or the live action one for that matter.  Knowing that the recipient of the cards is a big fan I was a little daunted by the whole thing.  I drew Belle’s card several times and whilst I had a pretty good idea what the beast looks like it was a whole other undertaking to draw him in my style.  Both cards were left with plenty of inking wriggle room.

Sketch cards ink lines

Sketch cards ink lines

So lots did get cleaned up in the ink lines especially for Beauty and the Beast, I also chose this point to connect them, the Bill and Ted cards were always going to be able to be connected but I decided to stretch the beast’s sleeve over to the middle card to link those as well.  I added the lightning into the phone box card and used that as a great way to connect the cards and hopefully add a neat effect when the colour was added.

LOL I also only just realised when looking at these photos I didn’t sign the phone box card.  I’ll probably have to go back and sign the back of it now before I pop it in the mail.  There’s a couple of other lines that got added in the colouring phase as well, Belle’s collarbone and the lapels and vest on the beast.

Completed sketch cards - Beauty and the Beast and Bill and Ted

Completed sketch cards

So when you start painting the cards that’s where you realise you’ve missed certain lines or details.  Also one of the decisions I usually have to make is whether I paint black or use a sharpee instead.  For the Bill and Ted set I knew if the black was inked it would appear really heavy compared to the other two cards so I just painted it black to take the edge off it.  I then wanted the background to be pretty light with very little detail but I felt I had to include a Circle K.  The lightning effect from the film is yellow and red and to achieve this I used a gold yellow Copic marker and a prismacolor red pencil.  I also used prismacolor on Bill’s shirt.  On Ted’s shirt, I used paint and pencil to give the impression of the design.

The background of the Beauty and the Beast cards was paramount to the cards because they had a certain simple elegance to them (well not the beast obviously).  Purple seemed to be the colour of magic in the film so I went with a purple/orange background that worked out better than I thought it would about halfway through.  There’s nothing worse than getting to this stage and fucking it all up with a really poor background choice.

The rose is Copic markers to stand out on the page, as is the gold trim on the beast, no copics apart from her flesh tone for Belle.  I admittedly drew myself into a corner colour wise for the beast and had to make some choices over what browns and where.  I don’t think I’d change him though.

I had some last minute additions as I mentioned before, his vest and lapels were added on the fly and I filled in some lines on Belle.

So that the lifecycle of two sketch cards sets, different in tone but with the same basic structure.  One pushed me out of my comfort zone and the other was a joy to revisit the universe.

Let me know if you liked this look behind the curtain or if you have any questions throw them in the comments or over on social media, always happy to talk about my drawings.

If you’d like your own sketch card commission, they come in three packs over on the Etsy store.

Raiders of the Lost Ark

Raiders of the Lost Ark illustration featuring Indiana Jones

Raiders of the Lost Ark

Raiders of the Lost Ark is, in my opinion, one of the finest pieces of adventure filmmaking ever produced, if not film in general.  It is beautifully shot, the story is great and the acting is spot on.  Raiders is iconic and most importantly it is a lot of fun without being stupid. Picking a scene was really hard as there are so many to choose from, selfishly I think I chose not to draw thousands of snakes 😉

Actually, this scene stands out as one of my first introductions to graffiti (in a book) that made me really laugh.  Someone wrote a thought bubble on the photo of Indy looking back when he first sees the boulder which says “Oh shit”.  To this day that still makes me chuckle and I think of it whenever I watch the film.*

Raiders is definitely going to be staying in the blu-ray collection and I think when it comes out in 4k I’ll probably make the upgrade (again).

This is part of a series of illustrations drawn from my blu-ray collection and drawn in ink with a nib pen.

*PS – don’t deface library books.

 

Talladega Nights: The Ballad of Ricky Bobby

Talladega Nights: The Ballad of Ricky Bobby

Talladega Nights: The Ballad of Ricky Bobby

This is actually the most recent addition to the blu-ray collection so I suspect I’ll hold on to it for a little while longer.  I actually thought I had a copy and went to watch it and discovered that it went in the DVD giveaways.

I have a soft spot for Talladega Nights, there are so many quotable lines in the film and at least two or three of them get used around our house.  For some reason, I latched on to this scene to draw and I kind of regretted it immediately after starting the inking.  Just because I don’t think I captured him in full flight and I think drawing a cougar in the car with him would have been fun.

This is part of a series of illustrations drawn from my blu-ray collection and drawn in ink with a nib pen.

Stranger Things Season Two – Halloween

stranger things season 2 halloween illustration

Halloween

Just like apparently everyone else I binged watched season 2 of Stranger Things over the weekend, I mean it was hard not to.  This show is so well put together and the characters are all so damn lovable it’s hard not to get sucked into their story.

I think I enjoyed this season more than the first and that’s really saying something.

Normally I would do Drawlloween but this year I spent most of October in the Tasmanian wilderness so I didn’t get the chance to take part, so my only Halloween drawing for the season will be this one!

Original illustration available on Etsy 

Star Trek Discovery random illustrations

I’m enjoying Star Trek Discovery for what it is right now, an entertaining drama set in the Star Trek universe.  I’m not overly focused any more on the continuity issues the show has or even the mean vibe that I get off some of it.  People who are enraged over the departure from traditional Trek are probably giving themselves blood pressure issues and I don’t really care for it.  On the flip side the people who are claiming this is the greatest show ever to grace television and easily the best Star Trek series are a little too much for me as well.

Hate it or love it it’s completely up to you but I think it probably falls within the middle ground for me.  It’s very watchable but I think they’ve made some mistakes and I’m not a fan of some of the aesthetic decisions, but it’s not the worst thing I’ve ever seen and Star Trek needs to be an evolving beast to stay relevant.  A lot of the pro and con arguments are way too extreme and I think a little perspective is needed.

I am enjoying having new characters to play with though and that’s a very good thing.

I will feed him – A TNG Illustration

I will feed him. A Star Trek TNG illustration

I will feed him.

It is potentially one of my all-time favourite Data and Worf interactions from the episode Phantasms:

WORF: Commander. I will have to confiscate your sidearm.
DATA: Of course. (hands over the phaser) May I ask a personal favour?
WORF: Yes.
DATA: Will you take care of Spot for me?
WORF: Your animal?
DATA: I am afraid if I have another waking dream, I might injure him.
WORF: Of course. Spot, come here.
DATA: Unlike a canine, Spot does not respond to verbal commands. (hands him to Worf who holds him at arms length) Goodbye, Spot. He will need to be fed once a day. He prefers feline supplement number twenty five.
WORF: I understand.
DATA: And he will require water. And you must provide him with a sand box. And you must talk to him. Tell him he is a pretty cat, and a good cat.
WORF: I will feed him.
DATA: Perhaps that will be enough.
(Worf leaves, sneezing)

Transcript courtesy of the BEST Star Trek transcript website: Chrissie’s Transcripts Site.

Thanks to the patron who ordered this Star Trek commission piece!