It is potentially one of my all-time favourite Data and Worf interactions from the episode Phantasms:
WORF: Commander. I will have to confiscate your sidearm.
DATA: Of course. (hands over the phaser) May I ask a personal favour?
DATA: Will you take care of Spot for me?
WORF: Your animal?
DATA: I am afraid if I have another waking dream, I might injure him.
WORF: Of course. Spot, come here.
DATA: Unlike a canine, Spot does not respond to verbal commands. (hands him to Worf who holds him at arms length) Goodbye, Spot. He will need to be fed once a day. He prefers feline supplement number twenty five.
WORF: I understand.
DATA: And he will require water. And you must provide him with a sand box. And you must talk to him. Tell him he is a pretty cat, and a good cat.
WORF: I will feed him.
DATA: Perhaps that will be enough.
(Worf leaves, sneezing)
One of the requests from the Star Trek commission pieces was for Picard, Riker and Data to be jamming together on board the Enterprise D. It’s a nice idea and I really enjoyed drawing them, except I really dislike drawing musical instruments as I am the least musically gifted person on the planet LOL.
Overall I think this comes off really pleasant a little like the show itself, I find TNG really comforting to watch.
I’ve had a number of Deep Space Nine Crew commission requests and whilst I love drawing them, I try and give everyone something a little bit different. So on the last one, I went in closer and made it a larger group portrait for this one I pulled right back and made them all much smaller and included the Dominion trio.
I thought about including Dukat or Damar but you can get carried away by these things and I wanted to draw Weyoun as I don’t often draw him or the Jem’Hadar and I’ve never (to my recollection) ever drawn the Founder.
I really like how this turned out, it’s my preference structurally to draw the characters quite small with minimal lines like this and I’ve got a few coming!
One of the reasons I’ve opened up commissions and left them open for longer than normal is that it can be a surprise what people order and it can help with any artist inspirational block that can come along. So this commission piece falls well within the unexpected requests. I get it though, it’s a cool idea to ask for Jerry Goldsmith, arguably the most influential Star Trek composer, I just wouldn’t have thought to do the drawing myself.
I’m making my way through the backlog of Star Trek commission pieces and I always love a good Year of Hell request. I think Year of Hell is probably one of the most imaginative ways to do an “it was all a dream” episodes and in the end, I wasn’t disappointed that it would leave no lasting impact on the show. It was a pretty grim what-if but it gave them a chance to do some really interesting things.
I had to reframe this scene for my particular style but I think it came up really well. Sometimes I get requests to do a Star Trek colouring book so I grabbed the linework so you can download it and colour it yourself if you’d like (post a link if you do!)
The first of my crew commission pieces is a season four Deep Space Nine crew. I did this one a little different to how I’ve been doing the crew drawings and I’m actually pretty happy with how it’s come out.
It’s a weird coincidence that I happened to watch the finale of DS9 tonight just after painting this, I’d been rewatching season seven and the timing was just right to put me in a DS9 state of mind.
I was given free reign on this commission piece the only stipulation was that it had to feature Captain Janeway, Seven of Nine and B’Elanna Torres. So I thought it might be fine seeing them working on an alien contraption that they have no idea on what it does.
I really like how it came out actually, I’m starting to enjoy putting the crews into imagined environments rather than simply capturing established scenes. These are the really fun ones to do. The only thing is that B’Elanna’s complexion is a little too dark and that was a pigment that worked well on cardboard but seemed to go too dark on paper. It’s a minor thing though and I’m going to suggest her Klingon side is shining through with frustration 😉 .
I don’t always watch the episode again when I’m doing a Star Trek Commission piece but I remembered The Perfect Mate as a good episode and was interested in revisiting it when this came up. Also, I needed to check out that dress though I don’t feel I got a good look at the bottom of it so I’ve gone with my own thing there. Also on the dress, I was particularly pleased with the way the veil came out here, I wasn’t sure how to tackle it but white watercolour pigments seem to do the trick.
Anyway, so I watched the episode again and it’s still a really good episode but I found myself considering it well after watching. I’m not really sure what it’s trying to raise here. Is it a commentary on arranged marriage because I’m not sure it applies in this given situation. Also, I think the concepts raised here aren’t really groundbreaking and maybe a little lazy. The episode actually probably worked better if Kamala was a man and it was a male “companion” being gifted. I think what saves this episode is a really strong performance from Patrick Stewart though for all his talk of non-interference Picard allows himself to get in a situation that biologically Kamala doesn’t seem to be able to avoid. Riker was able to do it so that should be a yard stick 😉
I’m excited about Stranger Things season 2 because yes the first season was exceptionally good but two there’s obviously a significant amount of nostalgia coming from that second season (Ghostbusters costumes). It’s interesting for me because they are around my age so I remember Ghostbusters being huge and Gremlins and The Neverending Story (1984 was an exceptional year for films).
It’s a byproduct of getting older LOL nostalgia films and the romanticism of the era you grew up in.
These sketchcards were done earlier this year, a combination of markers, watercolour and a touch of prismacolor pencils :).
The Page 100 Project – draw the 100th page of a novel in comic format.
Having been a big Stephen King fan for most of my life I’ll admit to not really knowing how it was that I just never got around to reading The Dark Tower series. Most people praise it and even then I’m not sure I was convinced until I read The Gunslinger.
I really enjoyed it. Loved it in fact and couldn’t put it down, from its perfect first line to the ending that must have been a nightmare for those waiting for the next one to be written. I highly recommend it.
The 100th page is really dialog heavy and I had to leave out a couple of lines which I really didn’t want to do but I just didn’t have the room. As it is I crammed extra dialog just to get to that “then we’ll go” line. I refused to pollute the second panel with words though as I felt the line in the novel describing that panel had to remain (and it’s my favourite panel now.
When I read the book I was a little torn as I’ve seen the trailers for the movie and probably picture Idris Elba as Roland as I’m reading it but then I was reading about how the Man With No Name is the inspiration around the look of Roland so I decided to go with something like that. I enjoyed playing with the smoke as well, I overplayed it certainly but I don’t think that matters.