Lifecycle of a sketch card commission

Sketch cards are always a fun project to work on, they’re nice little accessible pieces that are easy for people to put up on their desks at work or give away to friends in cards etc.  I like them because there’s a challenge to get what you want in a very small space and often you have to just focus on the character up front and centre.

Mark commissioned the following sets through Etsy and it was quite a bit of fun because Mark has ordered from me before and has some requests.  First of all, they were proper sets of three, with two main characters plus a third object that would go between them to be balanced.  I like this presentation thinking because when you frame them they come up really neatly.  Not that random cards don’t look good together, the Marvel ones I did aren’t connected at all yet look awesome laid out together.

The second directive I was given was that the Beauty and the Beast cards were to be based on the cartoon and not the live action remake.  Cartoons always present a little exercise in overcoming the original illustrator’s style of drawing.  I did offer in this case to draw in Disney style as that can sometimes be a fun challenge in itself but I was graciously declined on the offer which, to be honest, is the best.  You want something unique.

So here are the three main phases of the work.

Sketch card pencils

Sketch card pencils

The pencils are the rough guide for me, though with sketch cards I admit the end product does often reflect the pencils a lot closer than one of my bigger pieces.  There’s just not enough space to allow myself to go off an inking tangent so I try and keep the pencils pretty tight.  Bill and Ted were pretty straightforward once I worked out what pose I was going to put them in.  They’re probably in a narrow pose for their usual arm lengths so I just adapted the angle slightly.  The phone box looks more interesting from the side when there’s no one in it so I went with that, knowing I’d be adding the electrical elements later.

Bill and Ted were pretty straightforward once I worked out what pose I was going to put them in.  They’re probably in a narrow pose for their usual arm lengths so I just adapted the angle slightly.  The phone box looks more interesting from the side when there’s no one in it so I went with that, knowing I’d be adding the electrical elements later.

Beauty and the Beast I’m not so familiar with, if I’m being completely open I don’t think I’ve actually ever watched the film, or the live action one for that matter.  Knowing that the recipient of the cards is a big fan I was a little daunted by the whole thing.  I drew Belle’s card several times and whilst I had a pretty good idea what the beast looks like it was a whole other undertaking to draw him in my style.  Both cards were left with plenty of inking wriggle room.

Sketch cards ink lines

Sketch cards ink lines

So lots did get cleaned up in the ink lines especially for Beauty and the Beast, I also chose this point to connect them, the Bill and Ted cards were always going to be able to be connected but I decided to stretch the beast’s sleeve over to the middle card to link those as well.  I added the lightning into the phone box card and used that as a great way to connect the cards and hopefully add a neat effect when the colour was added.

LOL I also only just realised when looking at these photos I didn’t sign the phone box card.  I’ll probably have to go back and sign the back of it now before I pop it in the mail.  There’s a couple of other lines that got added in the colouring phase as well, Belle’s collarbone and the lapels and vest on the beast.

Completed sketch cards - Beauty and the Beast and Bill and Ted

Completed sketch cards

So when you start painting the cards that’s where you realise you’ve missed certain lines or details.  Also one of the decisions I usually have to make is whether I paint black or use a sharpee instead.  For the Bill and Ted set I knew if the black was inked it would appear really heavy compared to the other two cards so I just painted it black to take the edge off it.  I then wanted the background to be pretty light with very little detail but I felt I had to include a Circle K.  The lightning effect from the film is yellow and red and to achieve this I used a gold yellow Copic marker and a prismacolor red pencil.  I also used prismacolor on Bill’s shirt.  On Ted’s shirt, I used paint and pencil to give the impression of the design.

The background of the Beauty and the Beast cards was paramount to the cards because they had a certain simple elegance to them (well not the beast obviously).  Purple seemed to be the colour of magic in the film so I went with a purple/orange background that worked out better than I thought it would about halfway through.  There’s nothing worse than getting to this stage and fucking it all up with a really poor background choice.

The rose is Copic markers to stand out on the page, as is the gold trim on the beast, no copics apart from her flesh tone for Belle.  I admittedly drew myself into a corner colour wise for the beast and had to make some choices over what browns and where.  I don’t think I’d change him though.

I had some last minute additions as I mentioned before, his vest and lapels were added on the fly and I filled in some lines on Belle.

So that the lifecycle of two sketch cards sets, different in tone but with the same basic structure.  One pushed me out of my comfort zone and the other was a joy to revisit the universe.

Let me know if you liked this look behind the curtain or if you have any questions throw them in the comments or over on social media, always happy to talk about my drawings.

If you’d like your own sketch card commission, they come in three packs over on the Etsy store.

Raiders of the Lost Ark

Raiders of the Lost Ark illustration featuring Indiana Jones

Raiders of the Lost Ark

Raiders of the Lost Ark is, in my opinion, one of the finest pieces of adventure filmmaking ever produced, if not film in general.  It is beautifully shot, the story is great and the acting is spot on.  Raiders is iconic and most importantly it is a lot of fun without being stupid. Picking a scene was really hard as there are so many to choose from, selfishly I think I chose not to draw thousands of snakes 😉

Actually, this scene stands out as one of my first introductions to graffiti (in a book) that made me really laugh.  Someone wrote a thought bubble on the photo of Indy looking back when he first sees the boulder which says “Oh shit”.  To this day that still makes me chuckle and I think of it whenever I watch the film.*

Raiders is definitely going to be staying in the blu-ray collection and I think when it comes out in 4k I’ll probably make the upgrade (again).

This is part of a series of illustrations drawn from my blu-ray collection and drawn in ink with a nib pen.

*PS – don’t deface library books.

 

Talladega Nights: The Ballad of Ricky Bobby

Talladega Nights: The Ballad of Ricky Bobby

Talladega Nights: The Ballad of Ricky Bobby

This is actually the most recent addition to the blu-ray collection so I suspect I’ll hold on to it for a little while longer.  I actually thought I had a copy and went to watch it and discovered that it went in the DVD giveaways.

I have a soft spot for Talladega Nights, there are so many quotable lines in the film and at least two or three of them get used around our house.  For some reason, I latched on to this scene to draw and I kind of regretted it immediately after starting the inking.  Just because I don’t think I captured him in full flight and I think drawing a cougar in the car with him would have been fun.

This is part of a series of illustrations drawn from my blu-ray collection and drawn in ink with a nib pen.

Stranger Things Season Two – Halloween

stranger things season 2 halloween illustration

Halloween

Just like apparently everyone else I binged watched season 2 of Stranger Things over the weekend, I mean it was hard not to.  This show is so well put together and the characters are all so damn lovable it’s hard not to get sucked into their story.

I think I enjoyed this season more than the first and that’s really saying something.

Normally I would do Drawlloween but this year I spent most of October in the Tasmanian wilderness so I didn’t get the chance to take part, so my only Halloween drawing for the season will be this one!

Original illustration available on Etsy 

Star Trek Discovery random illustrations

I’m enjoying Star Trek Discovery for what it is right now, an entertaining drama set in the Star Trek universe.  I’m not overly focused any more on the continuity issues the show has or even the mean vibe that I get off some of it.  People who are enraged over the departure from traditional Trek are probably giving themselves blood pressure issues and I don’t really care for it.  On the flip side the people who are claiming this is the greatest show ever to grace television and easily the best Star Trek series are a little too much for me as well.

Hate it or love it it’s completely up to you but I think it probably falls within the middle ground for me.  It’s very watchable but I think they’ve made some mistakes and I’m not a fan of some of the aesthetic decisions, but it’s not the worst thing I’ve ever seen and Star Trek needs to be an evolving beast to stay relevant.  A lot of the pro and con arguments are way too extreme and I think a little perspective is needed.

I am enjoying having new characters to play with though and that’s a very good thing.

I will feed him – A TNG Illustration

I will feed him. A Star Trek TNG illustration

I will feed him.

It is potentially one of my all-time favourite Data and Worf interactions from the episode Phantasms:

WORF: Commander. I will have to confiscate your sidearm.
DATA: Of course. (hands over the phaser) May I ask a personal favour?
WORF: Yes.
DATA: Will you take care of Spot for me?
WORF: Your animal?
DATA: I am afraid if I have another waking dream, I might injure him.
WORF: Of course. Spot, come here.
DATA: Unlike a canine, Spot does not respond to verbal commands. (hands him to Worf who holds him at arms length) Goodbye, Spot. He will need to be fed once a day. He prefers feline supplement number twenty five.
WORF: I understand.
DATA: And he will require water. And you must provide him with a sand box. And you must talk to him. Tell him he is a pretty cat, and a good cat.
WORF: I will feed him.
DATA: Perhaps that will be enough.
(Worf leaves, sneezing)

Transcript courtesy of the BEST Star Trek transcript website: Chrissie’s Transcripts Site.

Thanks to the patron who ordered this Star Trek commission piece!

 

The Enterprise D Trio

The Enterprise D trio - a Star Trek TNG illustration

The Enterprise D Trio

One of the requests from the Star Trek commission pieces was for Picard, Riker and Data to be jamming together on board the Enterprise D.  It’s a nice idea and I really enjoyed drawing them, except I really dislike drawing musical instruments as I am the least musically gifted person on the planet LOL.

Overall I think this comes off really pleasant a little like the show itself, I find TNG really comforting to watch.

The Dominion Stand-off – A DS9 illustration

The Dominion Standoff

The Dominion stand-off – a DS9 crew illustration 2017

I’ve had a number of Deep Space Nine Crew commission requests and whilst I love drawing them, I try and give everyone something a little bit different.  So on the last one, I went in closer and made it a larger group portrait for this one I pulled right back and made them all much smaller and included the Dominion trio.

I thought about including Dukat or Damar but you can get carried away by these things and I wanted to draw Weyoun as I don’t often draw him or the Jem’Hadar and I’ve never (to my recollection) ever drawn the Founder.

I really like how this turned out, it’s my preference structurally to draw the characters quite small with minimal lines like this and I’ve got a few coming!

Jerry Goldsmith

Jerry Goldsmith

Composer Jerry Goldsmith – 2017

One of the reasons I’ve opened up commissions and left them open for longer than normal is that it can be a surprise what people order and it can help with any artist inspirational block that can come along.  So this commission piece falls well within the unexpected requests.  I get it though, it’s a cool idea to ask for Jerry Goldsmith, arguably the most influential Star Trek composer, I just wouldn’t have thought to do the drawing myself.

Old Friend – a Star Trek Voyager illustration from Year of Hell

Janeway says farewell to Tuvok in Year of Hell

Old friend… 2017

I’m making my way through the backlog of Star Trek commission pieces and I always love a good Year of Hell request.  I think Year of Hell is probably one of the most imaginative ways to do an “it was all a dream” episodes and in the end, I wasn’t disappointed that it would leave no lasting impact on the show. It was a pretty grim what-if but it gave them a chance to do some really interesting things.

I had to reframe this scene for my particular style but I think it came up really well.  Sometimes I get requests to do a Star Trek colouring book so I grabbed the linework so you can download it and colour it yourself if you’d like (post a link if you do!)

Old friend - Voyager colour in

Old friend – Voyager colour in